Film of the Week
Battle Royale - *****
(2000, Japan, Koushun Takami)
As a European film fanatic who adores realism and 'grittiness', the thought of a Japanese film with plenty of gruesome violence did not thrill me. Maybe I am too eurocentric? This film centres around a society where there is an ongoing terror campaign between adults and young people. As a result, the government introduce an Act to make one class every year to take part in the Battle Royale, where each student is given a weapon and the winner is the one still alive after three days. It is unbelievably engaging despite its gruesome nature. It creates that moral dillema of whether you would kill if put in the same situation knowing that if you did not, you would die. I wrestled with my moral conscious and concluded at this point in my life, I could not do it. However, when I was their age, I potentially could have with the amount of hate I had for some of my peers if I had to kill (of course I would never choose to kill). A remarkable film and, in situations like this when I try to educate myself in film, it is all worthwhile because there was no way I would have ever watched such a film otherwise. It is disappointing that a lot of people who like their blockbusters will never see this because of subtitles when this is a perfect example of action films done well. A must see.
Other Films
Cinema Paradiso (Feature Version) - ****
(1989, Italy, Giuseppe Tornatore)
Another cinema history lesson. A delightful tale of a cheeky young Italian boy who becomes obsessed with the local cinema in the post WWII Italian society. We see his passion, as well the charming relationship with the projectionist, develop as he later becomes a renowned film maker. This Oscar winning film has the same charm as Life is Beautiful and projects an air of innocents. Its influence can be seen in other mediums, such as Dawson's Creek. It slightly slows down towards the end, but it can be forgiven because the journey is so beautiful. I fully understand why this is a classic.
Prozac Nation - ****
(2001, USA, Eric Skjolldbjaerg)
See An Ode to Prozac Nation
Skoonheid/Beauty - ***
(2011, South Africa, Oliver Hermanus)
South Africa's nomination for the 2012 Foreign Language Oscar tells the story of a repressed, middle aged, middle class man who becomes obsessed with the beautiful Charlie Keegan, and partakes in group sex with other married men. This is despite being overtly homophobic and racist. His obsession results in disturbing results and shows what can happen when individuals are not allowed to express and act on their desires. Oliver Hermanus portrays the closeted central character extremely well and the conflict between the man he thinks society expects him to be and his internal desires was superb. Where this film falls down is it tries too hard to be 'Art House' through extensive shots, but ultimately fails. Worth a viewing but not one that I will visit again.
Beginners - **
(2010, USA, Mike Mills)
A film with a lot of potential. A story told of a dying elderly man who came out in later life and his son's (Ewan McGregor) disastrous love life. The film starts with the father (Christopher Plummer) on his death bed and the film switches back and forth like there is no tomorrow. I do not mind films that do this, but it just became too hard to follow. What was interesting was the story of the father establishing his sexuality. The development of his relationship and his new found circle of gay friends was interesting and i wish the film developed this much more making him the centre of the film. Instead we had Ewan playing a dysfunctional man in his 40s who cannot maintain a relationship and the father is a side plot. Disappointing.